No Country For Old Men
Up until this weekend, I have only seen two Coen brothers films in the theatre, Fargo and The Ladykillers. Now make it a third. No Country For Old Men has been getting tons of praise by critics. It was in the running for the Palme d’Or at Cannes. The buzz coming from there this summer was that this is a return to Coens as master filmmakers after their less than appreciated The Ladykillers and Intolerable Cruelty, their last two films.
Based off a Cormac McCarthy novel, No Country For Old Men, is a chase film. Josh Brolin is the hunted, a hunter who stumbles upon the aftermath of a drug deal gone bad and stumbles upon a nice tidy sum of cash. Javier Bardem is after Brolin. Like the Terminator or Jason, nothing stops him from finishing a task he’s started unless that something is a toss of coin an idea of his that fate governs us all. Tommy Lee Johns is after the both of them to recover the loot, to stop the monster, and to save the unworthy.
As with most Coen films, it’ll take me a while to figure out if I appreciated the film. I don’t think I got the gist of the film in this one sitting. Except for Blood Simple and Hudsucker Proxy, my favorites, I watched the Coen films and marvel at their droll artistry. I get that. Yet, they always leave me thinking, “there’s something more there.” After seeing this, I felt like I had watched Fargo again, and it was all a big, “Hunh?!”
There is evil in the world. You can’t stop it. It is fate that will bring it to you. These times are not for those who still have the old notions of good and bad. You may adjust, but do you want to.
3 of 5 stars.
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I think this film, Rescue Dawn and The Assassination Of Jesse James By The Coward Robert Ford are my faves this year. Those films really took me for a ride. Not only were they full of atmosphere but also tales worth telling.
Sadly as much as I dug Darjeeling it wouldn’t make it in my imaginary oscars that I’ll post maybe tonight.