The Raven by Edgar Allan Poe

Once upon a midnight dreary, while I pondered, weak and weary,

Over many a quaint and curious volume of forgotten lore,

While I nodded, nearly napping, suddenly there came a tapping,

As of someone gently rapping, rapping at my chamber door.

” ‘Tis some visitor,” I muttered, “tapping at my chamber door;

Only this, and nothing more.”

Ah, distinctly I remember, it was in the bleak December,

And each separate dying ember wrought its ghost upon the floor.

Eagerly I wished the morrow; vainly I had sought to borrow

From my books surcease of sorrow, sorrow for the lost Lenore,.

For the rare and radiant maiden whom the angels name Lenore,

Nameless here forevermore.

And the silken sad uncertain rustling of each purple curtain

Thrilled me—filled me with fantastic terrors never felt before;

So that now, to still the beating of my heart, I stood repeating,

” ‘Tis some visitor entreating entrance at my chamber door,

Some late visitor entreating entrance at my chamber door.

This it is, and nothing more.”

Presently my soul grew stronger; hesitating then no longer,

“Sir,” said I, “or madam, truly your forgiveness I implore;

But the fact is, I was napping, and so gently you came rapping,

And so faintly you came tapping, tapping at my chamber door,

That I scarce was sure I heard you.” Here I opened wide the door;—

Darkness there, and nothing more.

Deep into the darkness peering, long I stood there, wondering, fearing

Doubting, dreaming dreams no mortals ever dared to dream before;

But the silence was unbroken, and the stillness gave no token,

And the only word there spoken was the whispered word,

Lenore?, This I whispered, and an echo murmured back the word,

“Lenore!” Merely this, and nothing more.

Back into the chamber turning, all my soul within me burning,

Soon again I heard a tapping, something louder than before,

“Surely,” said I, “surely, that is something at my window lattice.

Let me see, then, what thereat is, and this mystery explore.

Let my heart be still a moment, and this mystery explore.

” ‘Tis the wind, and nothing more.”

Open here I flung the shutter, when, with many a flirt and flutter,

In there stepped a stately raven, of the saintly days of yore.

Not the least obeisance made he; not a minute stopped or stayed he;

But with mien of lord or lady, perched above my chamber door.

Perched upon a bust of Pallas, just above my chamber door,

Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,

By the grave and stern decorum of the countenance it wore,

“Though thy crest be shorn and shaven thou,” I said, “art sure no craven,

Ghastly, grim, and ancient raven, wandering from the nightly shore.

Tell me what the lordly name is on the Night’s Plutonian shore.”

Quoth the raven, “Nevermore.”

Much I marvelled this ungainly fowl to hear discourse so plainly,

Though its answer little meaning, little relevancy bore;

For we cannot help agreeing that no living human being

Ever yet was blessed with seeing bird above his chamber door,

Bird or beast upon the sculptured bust above his chamber door,

With such name as “Nevermore.”

But the raven, sitting lonely on that placid bust, spoke only

That one word, as if his soul in that one word he did outpour.

Nothing further then he uttered; not a feather then he fluttered;

Till I scarcely more than muttered, “Other friends have flown before;

On the morrow he will leave me, as my hopes have flown before.”

Then the bird said, “Nevermore.”

Startled at the stillness broken by reply so aptly spoken,

“Doubtless,” said I, “what it utters is its only stock and store,

Caught from some unhappy master, whom unmerciful disaster

Followed fast and followed faster, till his songs one burden bore,—

Till the dirges of his hope that melancholy burden bore

Of “Never—nevermore.”

But the raven still beguiling all my sad soul into smiling,

Straight I wheeled a cushioned seat in front of bird, and bust and door;

Then, upon the velvet sinking, I betook myself to linking

Fancy unto fancy, thinking what this ominous bird of yore —

What this grim, ungainly, ghastly, gaunt and ominous bird of yore

Meant in croaking “Nevermore.”

Thus I sat engaged in guessing, but no syllable expressing

To the fowl, whose fiery eyes now burned into my bosom’s core;

This and more I sat divining, with my head at ease reclining

On the cushion’s velvet lining that the lamplight gloated o’er,

But whose velvet violet lining with the lamplight gloating o’er

She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer

Swung by seraphim whose footfalls tinkled on the tufted floor.

“Wretch,” I cried, “thy God hath lent thee — by these angels he hath

Sent thee respite—respite and nepenthe from thy memories of Lenore!

Quaff, O quaff this kind nepenthe, and forget this lost Lenore!”

Quoth the raven, “Nevermore!”

“Prophet!” said I, “thing of evil!–prophet still, if bird or devil!

Whether tempter sent, or whether tempest tossed thee here ashore,

Desolate, yet all undaunted, on this desert land enchanted–

On this home by horror haunted–tell me truly, I implore:

Is there–is there balm in Gilead?–tell me–tell me I implore!”

Quoth the raven, “Nevermore.”

“Prophet!” said I, “thing of evil–prophet still, if bird or devil!

By that heaven that bends above us–by that God we both adore–

Tell this soul with sorrow laden, if, within the distant Aidenn,

It shall clasp a sainted maiden, whom the angels name Lenore—

Clasp a rare and radiant maiden, whom the angels name Lenore?

Quoth the raven, “Nevermore.”

“Be that word our sign of parting, bird or fiend!” I shrieked, upstarting–

“Get thee back into the tempest and the Night’s Plutonian shore!

Leave no black plume as a token of that lie thy soul hath spoken!

Leave my loneliness unbroken! — quit the bust above my door!

Take thy beak from out my heart, and take thy form from off my door!”

Quoth the raven, “Nevermore.”

And the raven, never flitting, still is sitting, still is sitting

On the pallid bust of Pallas just above my chamber door;

And his eyes have all the seeming of a demon’s that is dreaming.

And the lamplight o’er him streaming throws his shadow on the floor;

And my soul from out that shadow that lies floating on the floor

Shall be lifted—nevermore!

I thought I would rather put this here for you guys to enjoy. It should be alrignt because Poe’s work should be out of copyright protection. Enjoy! Bawaaaa!

Fright night

Happy Holloween. Here’s a list of scary things to do tonight.

  1. Read the Raven by Edgar Allen Poe.
  2. Watch a scary episode of the x-files.
  3. Read a ghost story.
  4. Watch a scary movie.
  5. Scare some trick or treaters
  6. Think about 4 more years of Bush

What will you be doing tonight?

Astronomy porn

I used to visit NASA’s astronomy picture of the day almost everyday. Fascinating photos and informational tidbits about certain celestial wonders. If you love looking up at the myriad of stars in the night sky, then this site should be in your list of bookmarks. Maybe it should even be your homepage. Make it so.

Delicious Library

Delicious Library is going to be one of the next programs going on my TiBook. I have a lot of books, and need to create a library in my office for them, and this piece of software would be great to help organize it.

The Grudge

Finally, after a couple of weeks of less than appealing movies appearing in the theatres, along comes The Grudge. It is October, the Holloween month, so therefore at least one scary movie should show up on screen to frighten audiences.

Firstly, I can’t really watch scary movies, because I am either hiding my eyes behind my fingers missing all the scary action or averting my gaze. I don’t like the sudden jolt of the scare, and I won’t be able to go to sleep comfortably at night. So, The Grudge scared me even though we caught a matinee. I don’t know if I would’ve been able to sleep alone in my house if we caught it later that night, even so I ended up sleeping on the couch with the lights and TV on, which was even more scarier because my couch is a at the foot of my stairs, and I could imagine the Grudge ghost coming down them. Yikes!

Overall, it wasn’t that great of a scary movie. Again The X-Files already have done an episode similar to this one. A haunted house, which is usually the scene of my favorite ghost stories, manifests the evil done in it, so that residents experience it in all to physical ways. The plot is usual. The scares are alright. The non-linear story telling somewhat confusing, but useful in telling two different tales at the same time. The Grudge follows all ghost story conventions.

Questions for those who have seen it. Why is the dead wife the malevolent spirit? Wouldn’t she be trying to seek justice rather than inflicting the pain on others as was inflicted upon her? Did Sarah Michelle Gellar bite it in the end? Was the pathologist also a ghost? What happened to the other detective? The policemen on the scene? The realtor? Did they meet a grisly end? Hmmm?

3 of 5 stars.

Girls in glasses

I don’t know why guys don’t find girls in glasses attractive. I find them down right hot. Tina Fey, hot! Racheal Harris, hot! I think it comes from my first crush being a girl who wore glasses. I wonder if she still does or did she eventually get laser eye surgery. Girls in glasses are damn sexy. Please, if you are a girl with some seeing problems forcing you to wear corrctive lenses, stay that way and avoid the temptation for laser eye surgery. If you are a girl who has perfect vision, get some fake glasses. You’ll look damn sexy in them. And when you do give me a call.