Sabotage

Sabotage is a dark, violent movie about the war on drugs and the people who fight it. It’s also an Arnold Schwarzenegger movie. It’s not a film with his signature one-liners. Plus, with how dark the film is, you wouldn’t laugh at any one-liner.

Sabotage is about an elite DEA squad led by Arnold. During a drug raid, they steal $10 million from a Mexican cartel. When they go to recover the money, they find its been stolen from them. The squad members then start getting killed, and they are forced to worry about if its revenge from the cartel or one them being greedy.

The lineup for the DEA squad was like a manly-man actor squad. They were all tough. Even the girl — the crazy one. And when she’s the crazy one, then you know this movie will be off kilter. There’s violence similar to that found in The Counselor very cringe inducing and hard to take in. Torture, head shots, stabbing are just a few of the fun stuff waiting.

I figured that Arnold would return to his action form. Unfortunately, he went dark Arnie as in End of Days/Sixth Day. I wanted an Arnie flick. I got nothing but torture and head shots.

3 of 5 stars.

Waiting Room

It’s as simple as that really: F to C5/G(?) with a chorus of C#, E, F, E. Something along those lines right? Right?

The Monuments Men

The Monuments Men tries too hard to be an important type film. It was once scheduled for a Christmas season release, a time for Oscar prestige openings. But then it was moved back a few weeks into the current year, and we find it still playing to an audience of elderly on a Saturday afternoon.

The movie tells the tales of the Army men who were tasked to save the treasures of Europe from the Nazis. Ordinary men of arts were gathered together and sent to the front to stop the pillaging of the great arts of Europe. Art restorers, architects, painters, and sculptors were recruited. They made up a small team that poked around the front lines in the latter part of the war finding and guarding important art.

It was a perfectly adequate film for a Saturday afternoon.

3 of 5 stars

The Wind Rises

At the start of the US version of the The Wind Rises, the distributor is Touchstone Pictures. At the start of the Japanese version, it’s Toho Studios. I smiled and chuckled when that shining Toho emblem blazed away before the Totoro of the Studio Ghibli mark. The Touchstone Picture mark didn’t do anything for me. Will my reaction color how I perceived the US dub versus the original Japanese soundtrack? Of course it will!

The Wind Rises is the last film directed by the great animation director, Hayao Miyazaki. He sails off to retirement with my favorite of his. It beats out Spirited Away and Princess Mononoke as a film. That’s because Miyazaki finally tells a story that could’ve been done as a live action film, and he makes an anime highly similar to something Satoshi Kon would’ve done. Miyazaki fulfills my tenant of a great animated film: using the animation medium to tell mature stories. The film is not one of his flights of fancy, but a well grounded story that soars because of his deft touch.

The film is about the aeronautics designer for the Imperial Japanese Armed Forces, Jiro Horikoshi. He designs planes for a living and his designs rained death and destruction on the world. Except that Jiro is a gentle soul only designing airplanes for their majesty in flight and not for their destructive nature. His superiors direct him to make them so; he makes them so that they are elegant. One of the critiques of the film is that Miyazaki lightly touches on this aspect of the creation of war machines, yet in every moment of planes engaging in war Miyazaki, through Jiro, shudders and recoils at the thought of using such beautiful machines for such ugliness.

Jiro is an engineer who expresses his creativity through the designs of his craft. That his works of art cause death and destruction do not take away from the diligent and excellent work he does. The engineer’s job is to design. It is not to lead a nation to war. To complain about Horikoshi’s work is to complain as if one had the higher moral authority. Yet, who can do such a thing? We all have ugliness somewhere in our nation (see 12 Years A Slave).

The film follows Jiro as a young dreamer to the wizened, middle aged man father of the Zero. It deviates to tell of Jiro’s love with a younger lady. She completes him and pushes him to finish his work. She also is sickened by tuberculosis so their love is tragic.

Miyazaki has made a great film which time will only validate as such. I was saddened that Disney’s Frozen beat it out. The category of Best Animated Feature Film should be renamed as Best Cartoon because I doubt that Frozen is a better film. I doubt that it is any better than the Lion King, and I’m not a big fan of hakuna-matata.

I’m glad I caught The Wind Rises in the theatre. It was at the Charles with the Japanese version and Hunt Valley with the US voice cast. Both were sparsely attended. My favorite sequence in the film is the Great Canto Earthquake especially the sound of it as it crashed through the land. *GOONG*

5 of 5 stars.

Pakwan Man — It’s The Jam

I came about this video by accident. I was looking for The Rolling Stones on YouTube because I like playing some of their old stuff. I’ve learned Around and Around which is the Stones’ cover of Chuck Berry from their second album. I’ve also learned The Last Time which is the song that is the basis of the Verve’s only US hit, Bittersweet Symphony. This is where a cover of Herbie Hancock’s funky version of Watermelon Man, comes in.

Running into the Stones/Verve Last Time/Bittersweet Symphony lead me to listening in on the differences, but mostly on the similarities. It’s the same damn song!

Then I started listening to cover versions of Bittersweet Symphony which lead to trying to play it on the guitar which lead to finding out about digital loopers. Then I started researching looper guitar pedals and ultimately to this video.

Now I have to learn how to play this song, but right after buying a looper pedal.

Quick Oscar Pool Ballot

I’m just going to make my picks really quick. Here we go…

Best Picture: American Hustle
Actor: Chiwetel Ejiofor
Actress: Amy Adams
Supporting Actor: Jonah Hill
Supporting Actress: Jennifer Lawrence
Animated Film: Frozen
Cinematography: Gravity
Costume: American Hustle
Directing: David O Russell, American Hustle
Documentary Film: The Act of Killing
Documentary Short: Facing Fear
Film Editing: Gravity
Foreign Film: The Great Beauty
Makeup: Dallas Buyers Club
Music Original Score: Her
Music Original Song: “Let It Go,” Frozen
Production Design: American Hustle
Animated Film Short: Get A Horse!
Short Film Live Action: The Voorman Problem
Sound Editing: Gravity
Sound Mixing: Gravity
Visual FX: Gravity
Adapted Screenplay: 12 Years A Slave
Original Screenplay: Her

That’s quick. I’m not sure I even have all the categories. Plus, I chose those that were easy to type. I don’t even know if any of these are the front runners. Let’s see how many I get right. How about you?

UPDATED: Missed more than I guessed right. Next year I shouldn’t guess.