BrowserMetrics

Last year Roger Ebert stirred the up the internet when he stated his opinion that video games can never be art. The internet came down on Roger Ebert and made him change his mind, or at least see the error of his ways. I think with Zack Snyder’s Sucker Punch the internet may owe him an apology.

Like movies and entertainment in the 90s being influenced by MTV and it’s hyper-kinetic cuts, movies and entertainment in 00s have been influenced by video games. If they weren’t art at their dawn, they have been accepted by the majority of geeks so that they are an art form by default. Their aesthetics have been incorporated in many other forms of entertainment and sometimes that ain’t a good thing.

One of my favorite movies from last year, Scott Pilgrim v. The World is movie with some video game. Sucker Punch isn’t a movie, but a video game.

It opens with a long silent segment evocative of those opening cut scenes of video games. This establishes the background of various characters and aids in giving them motivation for some of the story. Then it gets to the place where the game takes place. Baby Doll has to escape from the loony bin. There’s a little bit of set up before she get the clues on how to escape. Eventually, she must defeat a boss in order to score the equipment to get her out of there. Very routine video game fodder.

The problem with Sucker Punch is that it wasn’t a video game, but a movie and the story it had to tell was very shallow and uninteresting. So were the characters all stock and cardboard thin. Nothing to care about.

This movie reminds me of Inception. It is a product of the director. Zack Snyder made up the whole story just as Nolan did Inception. And like Inception, it is also a gamble in that it isn’t based on a previous entertainment property no comic book, no novel, no tv show. It must live and die on its own. I admire that. Story telling isn’t dead in Hollywood just that the story its telling is.

Is Sucker Punch misogynistic? I’ve read several reviews that say it is. I can’t really say, but I imagine that the actresses loved to do that action stuff that the boys are always doing. Sometimes it looks as if they enjoyed themselves. Is that empowerment? Is the fact that the bad guys are all men and shown in a demeaning light a case against misogyny? Does the beating of women and glorifying it the case for misogyny? You’ll have to decide yourself.

Neo as the One in Matrix. Baby Doll as the one in Sucker Punch.

Here’s to hoping we don’t get nothing but Baby Doll’s for Halloween. Seifuku is awesome and blue seifuku is awesome as well. But nothing beats the zettai ryouiki. Yes. That’s probably why I wanted to watch this film so badly. I also hoped that Baby Doll was tsundere. She wasn’t.

I’m gonna give it a medium score because I found some of the action fun. The train scene. Like Michael Bay, Snyder has his own style. It’s ridiculous and like wanting to seen the Baysian twirl, you can’t wait for the Snyder slow-fast-slow-fast fight scenes and the train scene is his Mona Lisa perfect in every way. I think it would make me watch it again just for that fight. Anyway, it was this fight and zettai ryouiki brings the score up out from 2 to 3, but just barely.

3 of 5 stars