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Suicide Squad cleared the low bar I had set for it. I liked it better than Batman V Superman. But that doesn’t mean it was a bad film and a terrible waste of time. What I do for my readers! I watch the films that you don’t so that you don’t have to ever.

The major problem is that you don’t know any of these characters at all. Maybe you’ve seen them, but you don’t know them. And you won’t care either. Sort of like one of the squad members introduced in the middle of the film only to be used as cannon fodder.

The best was the flame guy, but he’s not gonna make it to the sequel. If there is one. God help us.

2 of 5 stars.

I was a victim of a bad mom. She took me to see Bad Moms. Not that it was a bad movie. It just wasn’t good.

First, who can believe that Mila Kunis can have 2 grade school aged children? That is unreal right there.

Second, she wasn’t bad at all. Just her attitude was bad. I’ve seen movies where the mother has left behind the kids to fend for themselves and eventually die. Mila Kunis did not leave her kids alone. She just got drunk and partied hard. Plus, she fought the PTA. Everyone fights the PTA!

Third, even the PTA was sympathetic. They were all high strung, but just a little bit of partying would help them. And it did.

Last, this was a better movie when LL was in it — Mean Girls.

3 of 5 stars.

Being a Japanophile, finding out that Our Little Sister was playing at The Charles, I wasn’t going to miss out on it. I read about it probably late this past winter. If it was about an imouto, then I am there. It is and it isn’t. It is very Japanese. I wanted to be enchanted by it, but it was fine.

Our Little Sister is about 3 sisters who upon attending their estranged father’s funeral invite their younger half-sister to live with them in their maternal grandmother’s home. Their offer is generous and heart warming as it comes off the cuff as they boarded a train. The younger sister accepts. She doesn’t have a father anymore and she doesn’t want to impede on her father’s third wife. No family ties, so she wants to make them with her older sisters.

The film goes flitting about stories and moments for the sisters in the house. It is a true slice-of-life movie as there isn’t much of a plot or much of drama to propel the story. There is no one story arc, but that of showing the sisters being a family. The mother comes back to bring some drama, but she is too flighty of a person to stir up the home.

It may be titled (in the English) for the little sister, but the main protagonist was the eldest. She was an Ozu female – burdened with being true to the family and to liking the matriarch position. The second was the wild one always drinking. I would love to drink with her. The third, the original imouto, was pleasingly young, an imouto if there isn’t one.

I dug the film because it reminds me of Ozu. His explorations of the family dynamics, tradition keeping, and old versus young in Japan fascinates me to no end.

A side note: I’ve seen one movie from the director, Hirokazu Koreeda, already: Nobody Knows. That one was a harrowing tale of a mother abandoning her children and letting the eldest, 13 year old, attempt to keep his siblings alive. It had a Grave of the Fireflies kind of thing as the ending made you sad…

3 of 5 stars.