Secret In Their Eyes

Secret In Their Eyes had some of the worst plot twists in the final minutes of the film which ruined the entire experience. Not that it was already good while watching, but these plot twists of which there were two were absolutely unbelievable. I was shaking with anger at the end because of them.

Don’t watch this film expecting a nice tidy ending. Expect the twist. Then pick up your jaw from the ground because the twists ruined everything.

I’m still angry and mystified several weeks later.

2 of 5 stars.

Perfect Blue

Perfect Blue has been out of print on DVD/BluRay for the longest time, so imagine my surprise to see that The Charles had it playing during their Anime Night programming. It’s the only film of Satoshi Kon’s that I had not seen, and I planned to catch it no matter what.

Being his first film, it is rough around the edges. It has a very 90s anime feel to it, and it didn’t help that the Charles had what seemed to be a bootleg — it looked like the aspect ratio was wrong as the faces were somewhat distorted. I’ve seen other images on the web from this movie. They looked better. Also, the sound was slightly too loud. I’m not sure that the Charles did a good presentation of the film, but I was glad to catch it. At least, they fixed the crack in the screen wall of the theatre such as not to distract from the film.

Perfect Blue is about a Japanese idol who decides to graduate from her group and become an actress. She wants to move past her idol persona and became her own person as an actress. Her fans may not approve. Lots of the film bounces between those two worlds — the idol and the actress. You see her shed that innocent idol image by taking up adult roles and doing sexy gravure shots. Her fans may not approve.

Kon displays his trademark switching between scenes. They focused on Mima’s life as an idol or as an actress. They switched back and forth morphing reality with scenes she plays in a movie or scenes of the movie. She tries to find her real self — the idol or the actress. She gets involved in murders because her fans may not approve of her choice. In the end, it became a mystery to solve for her.

Imagine all the idol watching I’ve done in the last 6 months. Now imagine all of that – about the fans approval – coming around in this movie. Do we, idol fans, like them for who they are or who we think they are? Are we complicit in their act? Are we complicit in the happiness, or unhappiness, of their lives? I am not too sure; I’ve wrestled with it for the last 6 months myself. Idols are idols and they are who they are. I’m just here to support them in their line of business.

4 of 5 stars.

Our Brand Is Crisis

Since it has been several weeks that I have reviewed any movies, it may seem like I didn’t watch anything in the theaters. Yeah, I know that I was too busy with “Nogizakatte doko?”, “Nogibingo!”, and any and all Nogizaka related things, but I did catch a few first run movies.

Our Brand Is Crisis I saw last month. Now I just have to put a few thoughts together…

Yeah, I don’t remember this one too much.

It was based on a documentary, Our Brand Is Crisis, which followed American political campaigners in Latin America. So, the fictional story is based on real events.

Sandra Bullock plays Jane Bodine a once hotshot political adviser. She’s been out of the game for years, because she kept losing to a James Caravelle type rival played by a bald Billy Bob Thornton. She’s pulled back into the game by operatives trying to fix a Bolivian presidential campaign. They get her off her rump by giving her a chance to take down Billy Bob. She bites. But at first she doesn’t like to. Then she finally does give in and turns on the heat to get her guy elected by running a negative campaign.

It turned out to be a Sandra Bullock movie. She starts off sad. She then becomes morose. But pulls it together to be happy in the end.

Billy Bob Thornton phones it in, but does provide a nice counterpoint to the Bullock movie.

Anything Anthony Mackie has been in has been fine. He’s the best part of the movie.

Overall, I would not have seen this on my own, but since I was sort of dragged to it, it was a forgettable, but enjoyable 2 hours. I liked the popcorn.

3 of 5 stars.

Crimson Peak

The cliche I love when reading a ghost story is how at the start the narrator mentions how at first he didn’t believe in the supernatural. As the ghost story unfolds, it becomes apparent that supernatural things are afoot. So that by the end, the narrator readily believes the unbelievable.

Crimson Peak opens with the heroine of the film saying just that. But it is the end of the ghost story. So Crimson Peak unfolds to tell you about the ghosts. But it ends up, she’s known ghosts all her life.

This film is really predictable. You know where it is going once the characters show up. The brother, the sister. Yes, that will happen. The dead mother. The long lost wives. The many places visited. You know they all feed into the story. The only thing is that love does bloom which is hard to believe.

It’s not a bad movie. It was just marketed wrong. It is as the narrator had said a story with ghosts. It is not a horror flick, but a gothic tale with ghosts in it. Victorian but with ghosts in it. Del Toro should never have shown the creepy crawly ghost and left it all to our imagination.

3 of 5 stars.

Bridge of Spies

Bridge of Spies is a decent offering from Steven Spielberg. It is very much one of his more serious offerings in the vein of Munich. Yet, it wasn’t as serious because the Coen brothers contributing some very subtle witty dialogue. Tom Hanks is an elderly version of himself. He sort of reminded me of Joe from Joe Versus the Volcano, a somewhat down beat character who finds the heroic side in him from being brave.

Here Hanks is James Donovan, a lawyer who stumbles into the ungrateful task of defending a Soviet spy. Donovan gives the spy as good a defense as deserved. He also makes the case that by giving the spy a decent defense he is following the spirit of America. Or even Jesus. America is about dignity and grace. Contrasted to the Soviets, America is upholding human rights. It isn’t about ramming people into jail. It isn’t about torture. It is about taking the high road. If only we remember this. America is better than what the GOP let’s you believe.

Anywho, Bridge of Spies is worth watching as a Spielberg movie. It’s not a classic, but it is rather solid, and it would be a pleasant film to catch on a lazy Sunday as it plays on USA network.

3 of 5 stars.

The Intern

Everyone cries in a Nancy Myers film including the leads in The Intern.

It was better than expected. And I liked how the ending left much to your imagination.

3 of 5 stars.

The Martian

The Martian.

It was just like the book. Focused on the technical aspects. The only thing about it though is that the characters were caricatures. They showed up, did there thing, then left. Not sure if the book itself allows for them to be people.

It was good, but not as great as we expected.

3 of 5 stars.

Mission Impossible – Rogue Nation

Before Mission Impossible – Rogue Nation, the theatre showed the trailer for the next James Bond movie, Spectre. In it, Bond is chasing after a shadow organization bent on taking out MI-6. Spectre is just one charismatic person, the uber Bond villain.

As I watched Mission Impossible, I had the distinct impression that I was watching the James Bond movie.

Mission Impossible had a charismatic bad guy running a shadow organization bent on taking down IMF. No need to watch the next James Bond. Catch this instead.

This installment of the Mission Impossible films rolled all the previous Mission Impossible movies into one. It had the back-stabbing of the first installment, the boring-ness of the second, a nod to the rabbit’s foot in the third, and Simon Pegg as Benjie, the comic relief from the previous one. It should’ve been awesome. It wasn’t. This installment lacked the propulsive force of the previous two and returned back to the sneaky capers of the first two. In fact, it felt like the first Mission Impossible film — the intrigues was more important than the action pieces.

Cruise was running in this one. He also had his stunt hanging on the plane. Good, but not the best. The girl was a Bond girl. She was very competent. I hope she shows up in the next one.

Watch it, but it will be better on FXX.

3 of 5 stars.

Ant-Man

Ant-Man is the beginning of Marvel Cinematic Universe’s end.

Not really. I’m just making that up because I have nothing better to write in this blog post.

It’s been over two weeks since I saw this. I liked it at the time. I still do like it, but it ain’t the best summer movie.

I liked Paul Rudd. I liked Michael Douglas. I thought that Evangeline Lilly was ill used even after she was granted the Wasp costume. (SPOILER ALERT!) I thought Michael Peña was the best thing of this movie. They need more of that criminal group. In fact, that looked to be the stuff left over when Edgar Wright left the movie in a huff.

At least, it’s not Fantastic Four.

3 of 5 stars.

Dope

Dope reminds me of the early 90s. Not because the protagonist was a 90s hip-hop loving nerd, but because the movie felt like it was made by a black director of the new school 90s auteurs.

It’s worth seeing, but only for the N.E.R.D. culture.

3 of 5 stars.