Carol

Carol continues director Todd Haynes’s turn as a latter day Douglas Sirk. In Carol, he explores the suppressed sexual desires between a young counter clerk and an older woman. In this though, the clerk is a young woman. It is a movie based on a Patricia Highsmith novel, The Price of Salt, which was a formative novel for the gay and lesbian community.

In this film as in the book, the love that blossoms between the women is meant to be normal. It attempts to have a happy ending, but it was still ambiguous. It attempts to make the young lady realize her growing desire. It attempts to make the older woman less of a vamp and more of a tortured soul. They are or may be right together.

As with Sirk, Haynes deals with the sublimated ugliness within American culture of the 50s. The way the husband whispered in quiet tones about his wife’s dalliances. The way the boyfriends desperately pleaded with the young one for some semblance of hetero love. The discreet glances, the touches, all had to be held back in a more repressive society.

There is a scene of lovemaking in this movie. It was tasteful to say the least. Somewhat titillating showing the love made physical. It was there to remind us that there was still sex at that time.

I really wanted to like this film, but it was too smooth for me. I can see how it has won accolades with the acting by both Kate Blanchett and Rooney Mara. Both actresses were very good effectively portraying the strain in their psyche as they fought society, their desires, and their commitments. It may have been a good movie but not for me.

3 of 5 stars.

Best Movies of 2015

Here’s the year end list of the best movies I saw live in the theatre for 2015. “Best” means I gave it greater than or equal to 4 stars (4 or 5).

4 stars. Star Wars: The Force Awakens — I can’t wait to find out what happens to Rey. I hope she becomes a real good character if they write her correctly.
4 stars. Perfect Blue — An old anime, but seen for the first time, Satoshi Kon’s first film makes me miss him more.
5 stars. Mad Max: Fury Road — AWESOME!
4 stars. While We’re Young — Kylo Ren is emo.
4 stars. Selma — Should’ve won best picture last year.

These were the films I loved after walking out of the movie theatre. That’s not a lot considering I think I saw at least 20. There are a few I wish I loved more, but they didn’t make the grade. Maybe sometime later they will, but for now these will suffice.

What were your favorites from last year?

Star Wars: The Force Awakens

I didn’t think that I would be writing a review of a new Star Wars movie in 2015. I thought we were done with it, but here we are at Episode VII, Star Wars: The Force Awakens.

This one finds us 30 years after the final battle of Return of the Jedi. The New Republic is moving along slowly, but is faced with an evil adversary in the First Order. There’s a Resistance to the First Order lead by General Solo-Organa. Luke is doing his best Yoda impression. Han and Chewie are bootleggers. There’s new characters: Fin, an ex-Stormtrooper: Rey, an orphan stranded on a desert planet: Poe Dameron, the Wedge Antilles character. And we have the dark robot: Kylo Ren of the Sith Knights of Ren. Ni! Ni! Ni!

What is the Resistance resisting? Who is Rey’s parents? Why is Kylo Ren so emo? All this will be answered in the upcoming films, but this one lays them out for it.

I loved the part when Rey reaches for the light saber, grabs it, and becomes badass. She’s going to be a great character if they do her story arc right.

They killed of Han Solo (SPOILER ALERT!!), but I liked that.

Luke is yoda-ing. The Jedi Knights are incompetent. They may well be the Knights Who Say Ni. They can’t even figure out who the Sith are.

Kylo Ren will be saved — by his sister.

If this cycle of the trilogy ends up better than the prequels, we’ll be happy.

If you would have to watch another entry of a beloved sci-fi epic, I would recommend Mad Max. But Star Wars isn’t bad either. Watch it. Preferably more than once!

4 of 5 stars.

Krampus

I saw a better representation of the Krampus on an episode of Tales from the Darkside. That episode was scarier and made the Krampus more evil. Throwing wicked, dark elves, fighting snowmen, and monster ginger bread men does not make for a scare. Unfortunately, it didn’t make for a laugh as well.

Krampus wants to be this millennium’s Gremlins — a comedy frightfest. It had a simple premise — be good and believe in Santa or else his sinister cousin, the Krampus will come and bring you to hell. The Krampus is what happens to kids when they shout, cry, pout at Christmas time.

It happens quickly. The Krampus starts coming because the main kid begins to disbelieve in the spirit of Christmas. His parents ignore him. He gets teased for believing in Santa in school. His cousins are white trash hicks who also torment him. This makes for an awful Christmas Eve in which he renounces his belief in Christmas. So enters the Krampus who quickly dispatches the kids family. He fights him off. Then it ends on a terrible note ruining much of the movie.

Maybe in a few years as this gets heavy rotation around Christmas time on Chiller will this make you like it. At the moment, wait for it in a few years.

Bah, humbug!

2 of 5 stars.

Secret In Their Eyes

Secret In Their Eyes had some of the worst plot twists in the final minutes of the film which ruined the entire experience. Not that it was already good while watching, but these plot twists of which there were two were absolutely unbelievable. I was shaking with anger at the end because of them.

Don’t watch this film expecting a nice tidy ending. Expect the twist. Then pick up your jaw from the ground because the twists ruined everything.

I’m still angry and mystified several weeks later.

2 of 5 stars.

Perfect Blue

Perfect Blue has been out of print on DVD/BluRay for the longest time, so imagine my surprise to see that The Charles had it playing during their Anime Night programming. It’s the only film of Satoshi Kon’s that I had not seen, and I planned to catch it no matter what.

Being his first film, it is rough around the edges. It has a very 90s anime feel to it, and it didn’t help that the Charles had what seemed to be a bootleg — it looked like the aspect ratio was wrong as the faces were somewhat distorted. I’ve seen other images on the web from this movie. They looked better. Also, the sound was slightly too loud. I’m not sure that the Charles did a good presentation of the film, but I was glad to catch it. At least, they fixed the crack in the screen wall of the theatre such as not to distract from the film.

Perfect Blue is about a Japanese idol who decides to graduate from her group and become an actress. She wants to move past her idol persona and became her own person as an actress. Her fans may not approve. Lots of the film bounces between those two worlds — the idol and the actress. You see her shed that innocent idol image by taking up adult roles and doing sexy gravure shots. Her fans may not approve.

Kon displays his trademark switching between scenes. They focused on Mima’s life as an idol or as an actress. They switched back and forth morphing reality with scenes she plays in a movie or scenes of the movie. She tries to find her real self — the idol or the actress. She gets involved in murders because her fans may not approve of her choice. In the end, it became a mystery to solve for her.

Imagine all the idol watching I’ve done in the last 6 months. Now imagine all of that – about the fans approval – coming around in this movie. Do we, idol fans, like them for who they are or who we think they are? Are we complicit in their act? Are we complicit in the happiness, or unhappiness, of their lives? I am not too sure; I’ve wrestled with it for the last 6 months myself. Idols are idols and they are who they are. I’m just here to support them in their line of business.

4 of 5 stars.

Our Brand Is Crisis

Since it has been several weeks that I have reviewed any movies, it may seem like I didn’t watch anything in the theaters. Yeah, I know that I was too busy with “Nogizakatte doko?”, “Nogibingo!”, and any and all Nogizaka related things, but I did catch a few first run movies.

Our Brand Is Crisis I saw last month. Now I just have to put a few thoughts together…

Yeah, I don’t remember this one too much.

It was based on a documentary, Our Brand Is Crisis, which followed American political campaigners in Latin America. So, the fictional story is based on real events.

Sandra Bullock plays Jane Bodine a once hotshot political adviser. She’s been out of the game for years, because she kept losing to a James Caravelle type rival played by a bald Billy Bob Thornton. She’s pulled back into the game by operatives trying to fix a Bolivian presidential campaign. They get her off her rump by giving her a chance to take down Billy Bob. She bites. But at first she doesn’t like to. Then she finally does give in and turns on the heat to get her guy elected by running a negative campaign.

It turned out to be a Sandra Bullock movie. She starts off sad. She then becomes morose. But pulls it together to be happy in the end.

Billy Bob Thornton phones it in, but does provide a nice counterpoint to the Bullock movie.

Anything Anthony Mackie has been in has been fine. He’s the best part of the movie.

Overall, I would not have seen this on my own, but since I was sort of dragged to it, it was a forgettable, but enjoyable 2 hours. I liked the popcorn.

3 of 5 stars.

Crimson Peak

The cliche I love when reading a ghost story is how at the start the narrator mentions how at first he didn’t believe in the supernatural. As the ghost story unfolds, it becomes apparent that supernatural things are afoot. So that by the end, the narrator readily believes the unbelievable.

Crimson Peak opens with the heroine of the film saying just that. But it is the end of the ghost story. So Crimson Peak unfolds to tell you about the ghosts. But it ends up, she’s known ghosts all her life.

This film is really predictable. You know where it is going once the characters show up. The brother, the sister. Yes, that will happen. The dead mother. The long lost wives. The many places visited. You know they all feed into the story. The only thing is that love does bloom which is hard to believe.

It’s not a bad movie. It was just marketed wrong. It is as the narrator had said a story with ghosts. It is not a horror flick, but a gothic tale with ghosts in it. Victorian but with ghosts in it. Del Toro should never have shown the creepy crawly ghost and left it all to our imagination.

3 of 5 stars.

Bridge of Spies

Bridge of Spies is a decent offering from Steven Spielberg. It is very much one of his more serious offerings in the vein of Munich. Yet, it wasn’t as serious because the Coen brothers contributing some very subtle witty dialogue. Tom Hanks is an elderly version of himself. He sort of reminded me of Joe from Joe Versus the Volcano, a somewhat down beat character who finds the heroic side in him from being brave.

Here Hanks is James Donovan, a lawyer who stumbles into the ungrateful task of defending a Soviet spy. Donovan gives the spy as good a defense as deserved. He also makes the case that by giving the spy a decent defense he is following the spirit of America. Or even Jesus. America is about dignity and grace. Contrasted to the Soviets, America is upholding human rights. It isn’t about ramming people into jail. It isn’t about torture. It is about taking the high road. If only we remember this. America is better than what the GOP let’s you believe.

Anywho, Bridge of Spies is worth watching as a Spielberg movie. It’s not a classic, but it is rather solid, and it would be a pleasant film to catch on a lazy Sunday as it plays on USA network.

3 of 5 stars.

The Intern

Everyone cries in a Nancy Myers film including the leads in The Intern.

It was better than expected. And I liked how the ending left much to your imagination.

3 of 5 stars.