Role Models

Role Models is too heavily steeped in Judd Apatow-isms.

You have one Paul Rudd as one of the leads. He’s famous as being the funny, straight guy, second banana, good buddy in Apatow films. He’s not a leading man, but a solid buddy to anchor the serious man stuff. You have McLovin’. Really, that’s all he is — McLovin’. He’ll always be — McLovin’. And that’s what we’ll always remember him as. Finally, you have the Apatow script of man-childs growing into responsibility as more manly man-childs.

As I watched the movie, I can’t help but think about an Apatow flick. There was bro comedies before Apatow, but once he hit in the summer of 2007, there is nothing left but Apatow bro comedies. It’s too bad as this would’ve been a really stupid fun flick to watch if not for the spectre of Apatow.

The one thing that this movie has that beats Apatow is a running time of reasonable length, and an ending that ended the movie.

2 of 5 stars.

Eagle Eye

The computer programmers and system designers in Eagle Eye should never build their system to resemble HAL from 2001: A Space Odyssey. Just that shape alone, the iconic red, soulless eye, would signify that it is going to eventually turn on its maker. It will gain consciousness and decide to eliminate the human species because they are the problem.

The movie is hard to believe. It was setting up for a big twist ending, but never got there because they threw away reality and conjured up a big, fat, fake fantasy. If your going to make a paranoid thriller, you need tons of paranoia and a little bit of thrills. It was a movie that wanted to mix in paranoia about the government, but didn’t make anyone worried enough about how pervasive computer profiling is. I wish the Lone Gunmen were alive to make us remember that, “No matter how paranoid you are, you aren’t paranoid enough.”

The movie was good for what it was — car chases, loud noise, and quick-cut action. It’s good to let your brain wander, so that you don’t think too much about the computer profiling. Maybe, you should also be highly paranoid as well? Unfortunately, the movie plods along to a conclusion that you know is inevitable. You could plot it using a computer profile of many action flicks that have come before it.

2 of 5 stars.

Ghost Town

Ghost Town should’ve capitalized on the spectral tone of the film and opened up closer to Halloween. Instead it opens up in the doldrums of September, barely making a peep in the b.o. chart, and sinking from sight as if it was one of the ghosts who fulfilled their wish. That’s too bad as there is some charm found within this movie.

Ricky Gervais, and his British shtick which he perfected on shows such as Extra and The UK Office, is the leading man to try and right the wrongs of ill fated Tea Leoni and Greg Kinnear. Gervais is supposed to make the ending to Leoni and Kinnear’s marriage final so that Kinnear can join the great shmucks in heaven or hell or somewhere in the afterlife that is not on Earth. Gervais is a crack up and his wit is perfect for the role of a dentist who wants nothing more than to be left alone. I imagine this will be the way some dentists imagine their humor to be. You really can’t be belly-laughing or guffawing while your dentist is drilling teeth. You can only tee-hee and force a smile through the fingers in your mouth.

I would watch anything with Tea Leoni in it, and I did. She’s one of the more unsung comediennes that never get the right role. She’s almost there, but her Egytologist doesn’t really register until her heart is broken. Someone save her and make her smile. Perhaps the dentist.

Kinnear is Kinnear. Smug. He gets Gervais to be his mouthpiece to reconcile with his ex. You can bet Kinnear is going to crack smart on Gervais. It was fun to watch American comedy versus British comedy. With Tea Leoni right in the middle. I was waiting for Rita Mae to show up or The Specials to sing their song, but it wouldn’t have happened. Too bad it may have lively up the scene.

While not a perfect romantic comedy (did the courting couple even kiss once?), it has its charms. Don’t expect too much, and you get not enough. Ghost Town was just as ephemeral as the dead guys in it.

3 of 5 stars.

“Your complicated thesis intrigues me. Tell me more.”

Burn After Reading

After their Oscar winning triumph, No Country For Old Men, the Coen brothers come back with a dark comedy, their bread and butter. Some will note that the overtones of the movie resemble Fargo in its pitch black humor of money, murder and mayhem. Of course, you wouldn’t know with the ridiculous ad campaign on tv. It’s not a comedy, but a thriller with very light comedic touches.

What some would also note is how closely it also resembles one of their worst works, The Ladykillers. The archly dark comedy is there and the laughs seem forced from the setup to the letdown. It’s not a comedy, but a thriller with hamminess that’ll raise you cholesterol level.

It is mainly about money, and how that affects everyone. The lack of it drives two of the sillier protagonists. Having too much seems to be the wife’s and Clooney’s excuse for sack diving. John Malkovich is uptight because of being a rich, white guy of the intel branch. And every one is paranoid and acting wrong on misinformation.

I did not like it one bit. Because it reminded me too much of their later earnest comedies, The Ladykillers, especially. I was hoping for their early slapstick: Raising Arizona or Hudsucker Proxy. They’ve really evolved and matured. Now if I can get to understanding them again I’d be happier watching them in the theatre.

2 of 5 stars.

“I thought Matthew’s favorite holiday tradition was making nativity scenes with Marvel Comics action figures.”

The House Bunny is like Legally Blonde, but with sex appeal. It’s about the characters finding what they are made of and to use it to make a way in the world. And it’s about the bunny costume. But most of all, it’s a remake of Revenge of the Nerds from a woman’s perspective.

Anna Faris plays the eponymous bunny girl, Shelly. She’s kicked out of the Playboy mansion because of some nefarious playmate machinations. She looks for another home wherein the ladies are the best pals, and naturally (sarcasm!) she finds it in a sorority house. The girls of this sorority are the geekiest of the geekiest, worst than omega mus because they can’t even keep more than seven members. Shelly teaches them to be cool and popular. She also learns to be studious and smart from them. But it is all about being true to yourself, and neither the sorority sisters nor Shelly act that way until the script allows them too.

Admittedly, I went for the bunny girl costume. Anna Faris is supposedly Goldie Hawn of the aughts. Maybe, but she needs better scripts and a better leading man than Colin Hanks. The movie was fun, but not funny. Dumb, but not making you dumb while watching it. Stupid, but all in good fun. It’s popcorn for the brain. Too much isn’t good for you.

3 of 5 stars.

Actual Pineapple Express Review

Most times, when you're high, you feel time slow down. Most times, when
you watch a Judd Apatow flick, you feel time slow down. Pineapple
Express is a stoner movie produced by Apatow. Time slowed down.It's not like other movies from the Apatow factory, where the movie was
really 30 minutes too long, although this one had an ending then an
afterward that resolved nothing but added more time. The time seemed to
stretch in this movie and his other movies because of the languid pacing
and stretching out of jokes to maximize, but minimize, their
effectiveness. For example, midway through the film, stoners Rogen and
Franco are selling some pot to kids, and the scene lasts for five
minutes as we watch them smoke up and dance stoner dances with the kids.
The too young to smoke kids inhaling, and you would've been laughing
like you were high, but the story adds extra dancing to this scene that
made it pointless. Ten year olds high, funny. Ten year olds and Seth
Rogan dancing not so much.Still there was some laughs to be had. Only if you smoked. I think
everyone in the audience was high, so people were laughing. Danny
McBride wrestles another movie away from its stars and becomes the most
likeable character actor this summer. Gary Cole plays scary somewhat
scarily funny, and Ed Begley makes you laugh remembering his turns in
other comedies like Spinal Tap and Women on the Moon. And Amber Heard,
although in her twenties, plays a very delicious high school girl.See it, but only if you're high.3 of 5 stars.

Tropic Thunder

Tropic Thunder is being described by other reviewers as a satire on Hollywood. It is that, but funny. Ben Stiller directs another scathing movie just like The Cable Guy.

I liked it. Once again funny. Especially, Tom Cruise doing his Kruschev impression, “I will bury you!!!!” Hilarious. As well as Matthew McConaughey and his adopted son. Hilarious. Danny McBride and his bombastic pyro guy. Nick Nolte as Four Leaf. And that young asian warlord. Funny. Booty sweat.

4 of 5 stars.

Link of the Day [7.31.08]

I know some of my readers don’t like reading movie reviews. (Yes, I’m looking at you seed.) Here’s a good one on The X-Files: I Want to Believe. Maybe, I am trying to get a handle of what I saw. I really wanted to like it, but instead the film ruminated upon things I didn’t want to really think too deeply about in the summer. It also was more intellectually challenging than what I was looking for in an X-files film.

http://reflectionsonfilmandtelevision.blogspot.com/2008/07/movie-review-x-files-i-want-to-believe.html

Quote of the Day [7.31.08]

“Based on the savage reviews proliferating on the web and in print, audiences and critics apparently desired a Wrath of Khan, when what they actually get is…The Search for Spock.”

John Kenneth Muir in his review on The X-Files: I Want to Believe
@John Kenneth Muir’s Reflections on Film/TV