We’re almost done. I hope you’ve been enjoying the morning music break. I like that you’ve shared in my favorite album. Thanks for listening. We just have a couple of songs to good. Stay tuned. We’re just getting to the good stuff.
I came up with this game that I used to play with Margaux (Or maybe I didn’t play this game with her, but I did come up with a game). It was centered around bands, their discography, and your own knowledge of. You were to think of a band and focus on their songs. Once you focused on a band, you would say, “You know {insert band name here}. No, their other song.” That should conjure up which song you’re talking about amongst the players. Most of the time you know which song is being thought about, but other times, depending on the band, it becomes difficult.
I came up with this game because of Cold Play. “You know Cold Play. No, their other song.” I bet you now know which song I am talking about.
We turn the corner and get to the home stretch of the album, several songs that are some of Thievery Corporations best. It starts with the title track, The Richest Man in Babylon. Once here, the album moves to its great conclusion. Stick around, it’ll only get better.
I’m left to wonder how close these songs ripped an posted to YouTube are to the one on the original CD. This version sounds slightly sped up. A check on iTunes finds it 6 seconds shorter. Now I wonder if all the other tunes from this album have been altered from the original. That’s okay. As long as it moves your soul I’ll take it. Good music is good music.
We’re onto the part of the album which I call the fly by states. Sometimes I listen to the songs. Sometimes I don’t. When I let the iPod play, when they come on, I won’t skip ahead. Yet, they all sound the same. Like I said previous, there’s a lot of latin rhythms on this album.
Liking Thievery Corporation means you have to like world music. You’ll be hearing lots of Brazilian rhythms. You’ll be hearing it a lot.
The death of Flash can’t happen soon enough, but you’re still stuck with it. In fact, if you’re viewing this page, Flash is probably killing your browser.
For that, I apologize.
It’s because of me not you. I’m not writing enough posts to fill the gaps between the morning music break. I know that I wanted to write more at least a post a day in December. Except the posts all relate to that Thievery Corporation release from 2002. (Whoa! I thought it was 2003 release.) I was gonna put some filler in between, but I don’t want filler. I want well written posts on subjects that are worth writing about. Plus, link or quotes of the day. Yet, all I got are static YouTube videos of the cover to The Richest Man in Babylon.
What should I write?
If I ever expected you to have heard any songs on this album, I would expect it to be this tune, “All That We Perceive.” I think they had it on heavy rotation in any Apple Store back in the mid aughts. Back when the iTunes was first released. You could’ve found Thievery Corporation all over that iTunes version. They were the iTunes darling back then.
Now let me admit right here, for the longest time I couldn’t stand to hear this tune. It being popular (in my mind) rubbed me the wrong way. This is my band. Why should you listen to them if you’ve never heard of them before? Defensive much? Yeah, I was a while ago, but not anymore.
You’ve got to listen to this tune. Listen to this album. Listen to this band. They freaking rock!
Of course you’ll be hearing this band for another week. I’m short of half way through the album. And after hearing that, maybe you’ll feel apprehensive to hear another Thievery Corporation song. We still haven’t gotten to my favorite song.
Continuing on from yesterday’s music break, here’s the second part of the tune. It’s not the second part but they both flow very well together. Every time I hear this song, I hear the first verse as asking, “Whose bagel’s offer hope?” Now why are they singing about bagels? Is this some kind of hidden message, but said aloud? I bet you that ain’t the real lyrics. Someone, anyone, get on this and tell me what that lyric was.
