About Time

I received a text message from Cousin Bob saying that Bill Murray was an awesome guy. Seems he’s doing makeup for the Untitled Cameron Crowe movie filming out in Hawaii. Sounds pretty much fun meeting movie stars, etc., etc. Cousin Bob also says he’s working with Bradley Cooper, Emma Stone, and the sweety Rachel McAdams.

Wait! Rachel McAdams? Why didn’t you say so? I just saw her in Richard Curtis’s droll science fiction, romantic comedy, About Time. It was only because she was in it that I went to see the movie. I think I would go see her read the phone book.

About Time is about a lanky ginger who finds out that he has the gift of time travel. He gets to go back in time to any point in his life. Of course, he uses it to find the love of Rachel McAdams.

Their meet cute was decent. He loses her, because he changes his timeline on the day he fell in love with her. Then he waits to meet her again, woo her, and make her his. The time traveling helps for the first kiss, first date, first sodding, first wedding.

Then the film turns away from rom-com and becomes a study of living life to the fullest. The guy’s father dies, and he uses time traveling to revisit him until complications with the time line forces him to leave his father forever. That’s a scene that teared me up a little thinking about my own father.

I came for Rachel McAdams, but found a wonderful film to while away a lazy Sunday afternoon.

3 of 5 stars.

Thor: The Dark World

Thor: The Dark World is a continuation of Loki’s story in the first Thor and in The Avengers. It does include Thor, the god of thunder, but the more interesting character is Loki. And we don’t see much of him until the final third of the film. The early parts had him locked in the prison he was sentenced to at the end of The Avengers. Once freed, the Trickster does his thing: tricks his way to the throne of Asgard. What does it mean for the rest of the Marvel Movie Universe and for the Thor franchise?

The Dark World is very similar to this summer’s Superman, The Man of Steel. A once banished villain, the dark elf, Malikith, wants to return and bring ruin on the son of the man that put him away. To do that he must threaten all the worlds of Yggdrasil, Asgard, Midgard, the Giant land, the dwarven home, and to do that he must do it in Greenwich, England. Thor is there to stop him along with his love and their wacky science team.

Can I say that it got kind of funny in the middle of things with the wacky science team. It’s weird, because it was not grim. There’s always a little bit of laughter in Midgard.

3 of 5 stars.

The Counselor

Went to see Ridely Scott’s latest, The Counselor, because it was filmed in Monte Pego. (Pego! Pego! Monte Pego!) It’s another fast and loose film about drug deals gone awry. Boring stuff. I’ll forget this in a month.

3 of 5 stars.

Ender’s Game

I’m not sure how to approach reviewing Ender’s Game. I should treat it as a movie, but there’s the book. It’s been twenty years since I was steady reading science fiction novels, and Ender’s Game was a favorite from that time. And it’s a good read, a very good read. It’s got that battle school thing going for it. Imagine Hogwart’s but like a first-person shooter. It was the best part of the book, and it showed that how good a tactition Ender Wiggins was. Of course, this was barely shown in the movie, and that’s what’s wrong with the movie. It can’t do the book justice.

It zooms through the more interesting things, gives a few glimpses of the intrigue of the aftermath, and talks, talks, talks, about how good Ender Wiggins is. Show don’t talk. Show.

Read the book. Don’t watch the movie.

2 of 5 stars.

Escape Plan

Escape Plan featured Arnold and Stallone. It comes twenty years too late in either of their careers. They are no longer the action movie heroes. They are old guys in a really obvious movies. As soon as the caper is afoot, you’ll know who’s behind it all.

Stallone is jailbreak artist whose job is to find the holes in the security of seemingly un-breakable prisons. He signs up for testing a secret-secret CIA prison, but finds out that he’s been put away for forever. There he meets Arnold who’s been put away on false pretenses or so we are led to believe. Why are they there? Can they get out? What’s the deal with this prison?

It is senseless movie meant to fill a Saturday afternoon. Forget it already except when it shows up on USA network.

2 of 5 stars.

Enough Said

Watching Enough Said and you start seeing Julia Louis-Dreyfus as her Elaine character from Seinfeld. As the movie continues, you start to see that it could almost be another episode of Seinfeld.

Julia Louis-Dreyfus plays Eva a masseuse who gets involved with a new client’s ex-husband. She doesn’t tell her or him that she knows the other. It’s like a plot from Seinfeld.

It was a nice little film with a woman’s role that perfectly suited Julia Louis-Dreyfus. It also had one of James Gandolfini’s last roles. He’s wonderful in it. They dedicated it to his memory at the end. Sad to think that he’s dead. Life moves on not like a plot from a television show.

3 of 5 stars.

Gravity

What’s driving the hype behind Gravity? It’s a spectacle, but is it as good a film as advertised? Will you vote for it when it’s one of the few to get an Oscar nod?

Gravity is about an astronaut, Sandra Bullock, trying to make her way back home to Earth after space debris has destroyed all orbiting space vessels.

That’s it. That’s the plot.

Pacfic Rim was castigated because it was all action and no depth. What’s the difference in this case? Why is there such a rush to anoint Gravity a best film of the year? I still don’t understand.

It’s not that good, but it isn’t terrible. Just a film that makes most of what it is meant to portray: the harrowing hell of space. The end results is a fun ride with great spectacle.

The ISS? Didn’t Michael Bay blow that up real good in Armageddon? Plus I miss the real Russian space hero.

3 of 5 stars.

Prisoners

I almost forgot that I saw Prisoners. I would’ve posted my thoughts earlier, but NewsRadio Quote Month may have kept me from doing that because of running out of NewsRadio quotes.

Anyhow, Prisoners is similar to The Silence of the Lambs except it throws in every parents nightmare of kidnapped daughters. And like the Jodie Foster movie, Prisoners will keep you guessing until the very end as to the identity and whereabouts of the kidnappers. But if you’ve seen plenty of movies, you’ll know before the end.

It’s a better movie than expected.

3 of 5 stars.

“We send a reporter to the scene, he asks the transit police if he can go into the tunnel, they say no, he says okay, I go on the air every eight minutes and say, ‘Still no news on that disabled train.'”

Pulled from the Shelves: From Up on Poppy Hill

The great animation director Hayao Miyazaki announced his retirement this past week. He’ll be sorely missed, but if Ghibli continues to make animated films as lovely as From Up on Poppy Hill, the studio is in good hands.

From Up on Poppy Hill is directed by Miyazaki’s son, Goro Miyazaki. The father wrote the screenplay based on a shojo manga from the early 80s. Ghibli films are known for their leading ladies. Choosing a shojo manga heroine is natural. Although, this is the first time one can say that Ghibli is doing a moe film.

Moe? Yes. It’s got plenty of tropes from anime of the last few years: twin tails, seifuku, school clubs, school setting. For a second, From Up on Poppy Hill feels almost like any anime lately. That doesn’t really detract from it. I’m only noticing because of the amount of anime I’ve been watching.

The plot revolves around young love. The heroine falls for the charismatic editor of the school newspaper. She helps him in saving the old club house building from being demolished. They are meant to be together but certain family ties stand in their way.

It’s a simple film. Girl meets boy. Girl falls for boy. Boy falls for girl. They both are in love. Plain and simple.

I bought the Blu-Ray/DVD combo and I have both discs in both TVs ready to be watched. The English dub is completely different than the original Japanese. Goro Miyazaki trusts his viewers to understand what’s showing on the screen. The English dub doesn’t; it opens with a voice over from the heroine setting the scene fro the rest of movie. The Japanese version opens with just the soundtrack playing following the heroine as she wakes up, prepares breakfast, and gets ready for the day. We are meant to infer what’s happening, let the story unfold, and figure out the setting. That’s trust by showing and not telling.

Animation is not a genre. It’s a technic. This film could easily have been live action. I’m glad that Ghibli did it animated. Animation isn’t just for kids. Plenty of stories can be animated. I wish more directors chose it. Thank you Hayao Miyazaki.

4 of 5 stars.

“Joe, this doesn’t look like a stun gun.”

Closed Circuit

I think I’m the only person living in America wanting to go see Closed Circuit. It’s because I’ve got the hots for Rebecca Hall. So, I tricked my mom to catch an early Saturday show. It bored the hell of her. I was too busy looking at the beauty on the screen to see that it was really a average pot boiler.

The film’s plot is about 2 English barristers (they wear wigs!) who have to defend an accused terrorist. Eric Bana is the terrorist’s main lawyer who gets the job after the original defender jumped from a building. Rebecca Hall is the terrorist’s special activist for the top secret trial. Both have a sordid history in the past which may conflict with their sworn duty, and both have to defend themselves from a higher power keeping them from unravelling the true mystery of the terrorist bombing.

The film plays out as you expect it. “Trust no one.” When terrorism is on trial, question all motives from the terrorist to the prosecution. Every one is under suspicion.

The movie even though boring at times is thoroughly adequate for a late summer/September release. You’ll forget about it by the time the leaves change color. You’ll remember it when it comes time to think about Rebecca Hall.

3 of 5 stars.